Shyam Benegal, The Last Great Auteur of India’s Parallel Cinema Movement, Exits the Stage
Shyam Benegal, who heralded a new era in Hindi cinema with the ‘parallel movement’ in the 1970s and 1980s with classics such as Ankur, Mandi and Manthan, died on Monday, December 23, after battling chronic kidney disease. He was 90. The filmmaker, a star in the pantheon of Indian cinema’s
‘The Dystopian Times’ by Appupen
‘The Dystopian Times’ by Appupen Source link
Catfish| A Hindi Story in Translation
They were catfish. Seven catfish thrashing about in a flat tray made of white Styrofoam. Their skin was dark grey and smooth, their moustaches big and black. They were huddled close together, tail to mouth, moustache to back, their movement arrested at the edge of the tray for they could
INTERVIEW We Now Have Means to Actively Build a Community and Train and Help Emerging Translators: Daisy Rockwell
The creative partnership of Daisy Rockwell and Geetanjali Shree is embodied in Daisy’s moniker, Shree-Daisy. But before her International Booker–winning partnership with Geetanjali Shree, Rockwell had already translated and curated a panorama of epoch-defining Hindi-Urdu novels probing the heart-wounds of the subcontinent. Over the past two decades, Rockwell has brought
Geetanjali Shree Interview: Language as Protest in ‘Our City That Year
Geetanjali Shree’s 1998 novel, Hamara Shahar Us Baras, rendered into English by Daisy Rockwell as Our City That Year (Penguin, 2024), is the story of a communalising city as experienced by a vulnerable narrator grappling with the task of lending language to the self-estrangement of her secular friends. The narrator, who is not
How Colonial Rule and Christianity Transformed Modern Hinduism – Interview with Manu Pillai
Magisterial in its sweep, Manu S. Pillai’s Gods, Guns and Missionaries: The Making of The Modern Hindu Identity journeys through 400 years of colonial rule, examining how India’s encounter with Europe catalysed shifts in Hinduism, in theory and practice. Scrupulously researched and narrated with an authoritative ease, the book explores
Freedom at Midnight Review: Book vs Web Series-Partition Through Two Lenses
Inside 10 Downing Street, the rhythms of a relentless clock fill the air. “May I have time to think?” Lord Mountbatten pleads, facing the burden of a crumbling empire. “You may,” Prime Minister Clement Attlee responds, “but be warned, Mountbatten—time is the one thing we’re running short of.” The ticking
Book Review| Weena Pun’s ‘Kancchi’: A Captivating Tale of a Mother’s Search for her Missing Daughter in Nepal
One dark November morning in 1995, Maiju surreptitiously escorts her 16-year-old daughter down the slippery, rain-drenched slopes of Torikhola in Nepal to help her catch a bus to her aunt’s house in Pokhara. Maiju never hears from her daughter again. Kanchhi never reaches her aunt’s place. What happened to Kanchhi?
Decriminalising Cannabis: Is it Time to Weed out Taboos and Embrace the Plant as India’s Cultural Gift to the World?
This year marked the 50th anniversary of the Hindi film Aap Ki Kasam, J. Om Prakash’s directorial debut starring Rajesh Khanna, Mumtaz, and Sanjeev Kumar in an unconventional romantic drama. The film was a major success, aided no doubt by its memorable soundtrack, which featured songs by the iconic composer
No Other Land: How A Banned Israeli-Palestinian Documentary Exposes Fear Behind Film Censorship
A film that is censored is a film that is celebrated—because the state today is such that to be a thorn in its side is to bloom. When No Other Land, the documentary by Palestinian activist Basel Adra and the Israeli journalist Yuval Abraham, was denied permission to be screened at both