In Mumbai, An Exhibition of Atul Dodiya’s Paintings Revives the Golden Era of Hindi Cinema
In the 1949 film Dulari, India’s beloved playback artist Mohammed Rafi sang: “Suhani raat dhal chuki, na jaane tum kab aaoge” (The golden night has faded, who knows when you will arrive). While a salve for the pining heart might not have been found as yet, the artist Atul Dodiya has
BOOK REVIEW | Samantha Harvey’s Orbital’s Pertinent Political Point is Held Back by a Weak Narrative
Six astronauts circle the earth aboard the International Space Station. How do they feel and what do they see in the course of one earth day? This is the premise of Samantha Harvey’s Orbital, which won the 2024 Booker Prize. A slim 136-page affair set in space, it is neither science
Game Changer Review: Is the 2-Hour Film Starring Ram Charan for the Instagram-Reel Generation?
To watch films like these is to see cinema emerge not from the scene but as some haphazard, cumulative, misshapen thing. In picture, director Shankar and actor Ram Charan from the sets of the film. | Photo Credit: BY SPECIAL ARRANGEMENT Riddle me this. You say you are making a
Manu Pillai: How the Roots of a Defensive Hindu Identity Developed | Frontline At 40 at The Hindu Lit for Life 2025
Manu Pillai in conversation with Vaishna Roy at The Hindu Lit for Life festival 2025 held at Sir Mutha Concert Hall in Chennai on January 19. | Photo Credit: VELANKANNI RAJ B “The ease and enthusiasm with which Hindus in India were able to appropriate that term [Hinduism] shows that
The Role of Women in the Rise of the Chola Empire | Book Excerpt from Anirudh Kanisetti’s ‘Lords of Earth and Sea’
Women had played a central role in the rise of Chola power but as their power faded, so too too did the status of their women. Chola royal women practically disappeared from the historical record from the early twelfth century, as the dynasty shifted from a sprawling empire to a
Book Review: “Theyyam: Indian Folk Ritual Theatre” is a Guide to North Malabar’s Captivating Folk Ritual
Theyyam, a captivating folk ritual of North Malabar, encompasses hundreds of variations: most performed annually, others intermittently, and a few as rarely as once in many decades. Deeply rooted in Malabar’s folk religion, this belief system involves local deities and spirits manifesting on earth by possessing men. This belief system
The Disposable Woman: How Indian Cinema Uses Sexual Violence to Build Male Heroes
A girl gets raped in Baby John, the Hindi remake of the Tamil film Theri, a crime that is repeated in Bagheera, Kannada cinema’s most successful film this past year, as also in Maharaja, starring Vijay Sethupathi, another Tamil blockbuster. In the Rajinikanth-starrer Vettaiyan, again, it is a woman who is assaulted, raped, and murdered. In Pushpa
INTERVIEW | Through Paintings, I Tell Stories of Those Who Are Being Erased from the Dominant Narrative: Labani Jangi
Labani Jangi says her award came at a time when she was being questioned by many about the validity and nuances of her art. | Photo Credit: By Special Arrangement Labani Jangi was born in Dhubulia, a village about 40 km away from Plassey, in the district of Nadia in West
Bengal Biennale Breaks Art World’s Cloistered Walls
The recently concluded Bengal Biennale has been remarkably successful in its very first edition. Organised in tandem in Santiniketan and Kolkata, it ran from November 29 to December 22, 2024, in Santiniketan, and from December 6, 2024, to January 5, 2025, in Kolkata. Since the required infrastructure for holding such
PHOTO ESSAY | A Tribute to Malayalam Writer and Scenarist, M.T. Vasudevan Nair
MT was a man of many parts. A doyen of Malayalam literature who mentored many people with his trademark kindness, warmth, and genuine concern. M.T. Vasudevan Nair was an iconic figure in Kerala during my childhood. His versatility and creativity in literature, cinema, and journalism, combined with his star-like fame,