M.T. Vasudevan Nair: The Chronicler of Kerala’s Inner Conflicts
He was officially M.T. Vasudevan Nair, but peers close to him and friends of the same or older generation called him Vasu; others generally used his initials “MT”. He chose the last for me when, in the 1980s, I wrote to him from Delhi to ask how I should address
Delhi’s Historical and Cultural Legacy Inaccessible due to Pricey Heritage Walks and Privatisation of Monuments
At the first interactive session on Delhi’s heritage, the Municipal Corporation of Delhi (MCD), as part of its inaugural heritage walks and talks initiative held at Town Hall, Chandni Chowk, experts delved into the mystery surrounding the grave of Dara Shikoh, the eldest son of Mughal Emperor Shah Jahan and
T.M. Krishna: Standing Ovation for the Sangita Kalanidhi’s Concert a Turning Point in Carnatic Music History
When T.M. Krishna received a standing ovation from an overflowing audience at the Music Academy on a bright Christmas morning this year, it marked a momentous point in his musical journey and, indeed, in the history of Carnatic music and the cultural history of South India. Here was a venerable
Frontline’s Library of Legends – Frontline
Frontline’s Books and Culture pages have featured a dazzling array of authors and artists over the years. A guided tour. 1984: R.K. Narayan The legendary writer has been associated with Frontline since its inception. The second issue of the magazine in 1984 introduced his column “Table Talk”. An excerpt from
Frontline At 40 | ‘Tamil-Brahmi inscriptions are the only record of old Tamil’: Interview with Iravatham Mahadevan
Iravatham Mahadevan, an epigraphist of international repute. | Photo Credit: T.A. HAFEEZ Iravatham Mahadevan was an administrator-turned-scholar who did acclaimed work on the Tamil-Brahmi and Indus scripts. His Early Tamil Epigraphy, published in 2003, was based on 40 years of labour on Tamil-Brahmi inscriptions. His earlier work Corpus of Tamil-Brahmi
The State of Indian Art: How Cultural Freedom Survives Despite Government Control
Some time ago (in September 2024), government-friendly news portals exerted a lot of energy “fact-checking” and, in the process, denied a viral social media post that claimed that the gigantic “Statue of Unity” sculpture of Vallabhbhai Patel had developed “cracks” and was in danger of collapsing. It was also reported
The Show Must Go On: How Cinema Refuses to Fade to Black in India
Indian cinema began contemplating its own mortality exactly four decades ago, prompted into self-reflection by the seismic effects of the television and video revolution across the country. In 1984, just two years had passed since the Asian Games were held in Delhi, an event that was responsible for the mass-scale
Best of 2024: Frontline’s Top 12 Stories on Books and Culture
Cultural performances at the INS Khukri Memorial Amphitheatre in Diu on November 14, 2024. | Photo Credit: President of India-X/ANI In his essay in Frontline’s 40th anniversary special, the artist and curator Shuddhabrata Dasgupta writes: “In any society, the health of culture depends on the willingness of practitioners to set
Zakir Hussain: Legacy of a Global Music Revolutionary
A musical titan bowed out too early. For six decades he mesmerised the world with his rhythms and melodies, defying close-minded orthodoxy of traditions, breaking musical barriers, creating new genres, and trying to heal a fractured world the way only a supreme musician can. And what is particularly tragic is
Quiet Dies a Craft: Traditional Bengal Boat Making Documentary 2024
WATCH | Quiet Dies a Craft: Traditional Bengal Boat Making Documentary 2024 | Video Credit: Reporting and narration: Suhrid Sankar Chattopadhyay; Videography: Jayanta Shaw; Editing: Samson Ronald K., Kavya Pradeep M; Team Frontline: Abhinav Chakraborty, Saatvika Radhakrishna, and Mridula V.; Produced By: Jinoy Jose P. In West Bengal’s Shyampur, 74-year-old master